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English to Xhosa - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour Zulu to Xhosa - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour Xhosa to English - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour Zulu to English - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour Xhosa - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour
English - Rates: 0.05 - 0.08 USD per word / 24 - 24 USD per hour
English to Xhosa: MAIN INCLUSION AND EXCLUSION CRITERIA General field: Medical Detailed field: Medical (general)
Source text - English If you have been diagnosed with schizophrenia and meet all of the criteria listed below, you are eligible to participate in the study. At the discretion of your study doctor, however, you may be excluded from the study even if you meet the criteria. If you do not meet one or more of the inclusion criteria or meet one or more of the exclusion criteria, please tell your study doctor.
To confirm that you meet the selection criteria for the study, your medical history and test results obtained prior to your consent to participate in the study will be reviewed.
You will receive examinations again 1 week after starting to use the study drug and approximately 7 weeks later. Your study doctor will then decide on your participation in the study based on the condition of your disease.
If your study doctor decides that you can continue participation in the study, you will continue to receive the study drug.
English to Xhosa: THE MYSTERY OF THE BRITISH LANDSCAPE MASTER General field: Social Sciences Detailed field: Art, Arts & Crafts, Painting
Source text - English THE MYSTERY OF THE BRITISH LANDSCAPE MASTER
By SOUREN MELIKIAN
NEW YORK — The case of the minor 18th-century portraitist who became the first major English landscape painter and revolutionized the approach of European masters to nature is one of those mysteries at the heart of art history that may never be explained.
A small, tight-knit exhibition at Richard L. Feigen & Co. turns the spotlight on the story of Richard Wilson for the first time in the United States. “Richard Wilson and the British Arcadia” runs through June 25.
As in unresolved police investigations, we miss elements that may have been crucial in the story of the evolution of a Briton born sometime around 1713 in the Welsh town of Penegoes. Little is known about the youth of the artist, whose birthdate is undiscovered.
The son of a clergyman, to whom he was indebted for a thorough classical education, young Richard left Wales for London in 1729 to train under Thomas Wright, a mildly talented portraitist, who enjoyed his moment of notoriety. Following in the footsteps of this competent practitioner, Wilson eventually secured the patronage of the great and the good. By the time he executed the group portrait “Francis Ayscough with the Prince of Wales and Edward Augustus, Duke of York and Albany,” probably about 1749, the artist seemed set on a financially rewarding if artistically unimpressive course.
In what circumstances Wilson took up landscape painting eludes us. Perhaps the sight of Dutch landscapes by great masters like Jan Both and Aelbert Cuyp in the collections of his patrons goaded the portraitist into trying his hand at a genre until then ignored by English artists. Gaspard Dughet and Claude Lorrain, whose work was avidly collected by English connoisseurs, may have also stimulated him.
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